Hello and many greetings from the blooming Kunsangar South! This early summer we are full on with preparations for our most active season.
Hello and many greetings from the blooming Kunsangar South! This early summer we are full on with preparations for our most active season.
The entire spring in the Gar was marked by preparation for the Teaching of Namkhai Yeshi. It was not just organizing a broadcast, but a real internal tuning.
Merigar is preparing to experience some intense months with a calendar that includes teaching, culture and moments of authentic community sharing.
The multimedia archive of the Dzogchen Community, housed at Merigar West, consists of two separate sections: the private archive of the formal teachings of Chögyal Namkhai Norbu and the historical archive of the International Dzogchen Community.
The Shang Shung publishing house, founded in 1983 at the request of the Chögyal Namkhai Norbu, has been recently reorganized.
The Mirror recently asked us to describe our recent collaboration with the British Museum and their ResearchSpace team and a few of the ways that it will be used to help us to share the Namkhai Collection with our Community members around the world.
In 1981, Chögyal Namkhai Norbu, together with the first group of his students, chose a farm in the Amiata area of Tuscany, Italy as the first Gar of the Dzogchen Community. As a result Merigar, the Residence of the Mountain of Fire, was established.
At Merigar East, Romania, we are approaching, this summer, the long awaited moment of filling up the second stupa. It is the result of many years’ work.
People often have a magical idea of how music is created. Music is remotely reminiscent of language. We pronounce words, express ourselves, we can speak quietly, loudly, softly, sharply. The same applies to music. When some language becomes native to you, it’s easy to compose a poem or begin to write a text, and in the same way you can sit and compose music.
The portrayal of Changchub Dorje presented in the words below is based on the oral testimony of two yogins of Khampa Gar, the trusted Togden Amtin and Togden A Chös who, having met the Master and received his Dharma teachings, had a samaya connection with him.
If I tell my story from the present time, I sometimes wonder if I am a musician or a sound artist. I feel more like a sculptor that shapes sound molding time in space. It makes sense, my last name Nakkach means artisan, and if I separate the N-from the akkach, it sounds like akash, meaning ‘clear space’, ‘sky’ in Indian Cosmology.
Giorgio Dallorto and his calligraphy art presented by Christian Correnti. “I may have approached calligraphy as a lazy pupil, which over time has become a precious tool for studying and deepening the Practices. Ultimately it has become a belated but profound homage to the great calligrapher and Master who was “the king of the Dharma jewel of the sky”.