In 1984 the Longsal Mandarava practice was revealed to Chögyal Namkhai Norbu while he was practicing in the Eight Heruka Cave in Maratika, Nepal.
In 1984 the Longsal Mandarava practice was revealed to Chögyal Namkhai Norbu while he was practicing in the Eight Heruka Cave in Maratika, Nepal.
The International Gakyil (IG) is urgently looking for strong candidates among IDC members to become Assistants and join the IG Team
Please help to make Tibetan Medicine familiar to people’s ears. We try our best to work and hopefully sometime soon we will be able to bring the wish of Rinpoche to fruition.
The drajyor system is explained in its main features and you may listen to a Tibetan (Mr. Lobsang Zatul) pronouncing the various sounds.
Oliver Leick interviews Dr. Tenzin Sherab, a doctor of Tibetan medicine, about making chülen for the Dzogchen Community and about his medical practice in Nepal.
At the Losar retreat in Dzamling Gar, Dr. Phuntsog Wangmo, head of SSI School of Tibetan Medicine, explained about the chülen used during this retreat.
During these difficult times, our main translators, Adriano Clemente and Elio Guarisco, have continued their extraordinary work uninterruptedly.
We would like to clarify the biographical dates of Rigdzin Changchub Dorje (Rig ’dzin byang chub rdo rje, 1863–1963), Chögyal Namkhai Norbu’s root teacher.
The Atiyoga Foundation School for Tibetan Language and Translation’s webpage gives a lot of information and let’s you hear the sound of the syllables
Ati Yoga China, Dynamic Space of the Elements Assn. with other organizations and individuals have donated and sent four batches of PPE to Europe and the USA
Meditation in Motion, Footsteps to the Sublime (September 2019–October 2020) is the second iteration of an exhibition featuring the revealed Vajra dances of Namkhai Norbu, and now, in this museum exhibition, the fuller Buddhist and Dzogchen context of visionary dances.
A series of 6, 2-hour online meetings every two weeks from 5-7pm (Italian time) focusing on the Tibetan text of “The Precious Vase” by Chögyal Namkhai Norbu